Mambar Pierrette review – subtle and big-hearted parable of women’s resilience in Cameroon

Pierrette is beset with troubles, from a robbery to a house flood and more, but the neorealist drama comes with solidarity and surprising humour

The simple image of pushing a seam through a sewing machine becomes a profound life statement in Rosine Mbakam’s debut feature, which is focused on talented clothier Pierrette (played by the director’s cousin Pierrette Aboheu Njeuthat) in the Cameroonian city Douala. It’s emblematic of the need to keep moving forward in daily life – and to come out the other side smiling, with stoicism and resilience. As one customer puts it: “I’m getting by. That’s life. When you fall down, you get up again.”

Pierrette is having, it has to be said, an especially rough day. A single mother also caring for an elderly parent (Marguerite Mbakop), she is already scraping for cash. Regularly bartered into submission by her clientele, she always holds her gaze bashfully downwards – either out of anger, or embarrassment at having to assert herself. When she takes a motorcycle taxi after work, robbers relieve her of all her savings, disastrously just as the new school year is beginning. Meanwhile her home is flooded, endangering the clothes she is preparing and leaving her wondering how she will escape this soggy calvary.