To Cook a Bear review – this daft historical crime drama is like Law & Order: Special Ursine Unit

This six-part adaption of Swedish author Mikael Niemi’s novel is an odd beast. It conjures a fine sense of an isolated 19th-century village … but the murder investigation at its heart is risible

A debate recently went viral on social media, after someone posed the question to women: would you rather be lost in the woods with a man or a bear? Like all the best thought experiments, it exposed wildly different worldviews and experiences, illuminated chasms between the sexes, and was likely to induce an existential crisis if you thought about it for too long. There was also the almost inevitable coda in which men of a certain stripe came online to tell women how stupid they were for choosing the bear and proceeded to limn the punishments they deserved for it. This at least allowed the women who had been hesitating over their choice to make it with a new confidence.

To Cook a Bear effectively dramatises this nifty little setup. The six-part drama is adapted from Swedish author Mikael Niemi’s 2018 novel of the same name (translated in 2020 for English readers by Deborah Bragan-Turner). It follows the tribulations of a pastor (Gustaf Skarsgård) and his family when they arrive to start a new ministry in Kengis, an isolated village in northern Sweden, in 1852. In a place with few pleasures, none of the inhabitants particularly warm to his puritanical approach to drinking and dancing, but it is his protection of the poor – especially the indigenous Sami, from which population comes the preacher’s adopted son Jussi (Emil Karlsen) – and his belief in social justice and equality that sets him on a collision course with the Kengis powers that be.

To Cook a Bear is on Disney+ now.